The entire opening is littered with images of butterflies and stars, in reference to Jolyne's emblem, the Joestar Family and their birthmarks.The artwork used on the cover is based on Jolyne's pose from the title page of SO Chapter 72.Jolyne then stands up and summons Stone Free. Jolyne is seen kneeling in the water with a night sky filled with stars, clutching her fists until she breaks free from her handcuffs, with a determined expression in her eyes. The opening then transitions into a view of the Stone Pendant tied to a DISC and then a fist closes over it. The background fades to black, leaving only the star on the screen, then the camera quickly flies backwards through a grate that Jotaro and Jolyne peer at. The camera flies across the room, rotating a full 180 degrees before showing a brief shot of the star on the back of Jotaro's coat. The scene suddenly zooms into the window of a building, transitioning into the meeting room where Jolyne and Jotaro Kujo stand in the middle of a rainstorm as Manhattan Transfer hovers above them. playing catch with Ermes and Jolyne in the prison courtyard as bank notes, basketballs and baseballs rain down from the sky. The camera then enters a drain, transitioning into a scene of F.F. The camera flies under the opposite gate, with the Stone Pendant being briefly seen before the screen is filled with sprites and motifs reminiscent of traditional comic book art.Ī quick wipe happens, and the scene advances forward across a piano, showing a number of objects from previous parts falling on its keys. After another quick transition, Jolyne can be seen in the middle of a hallway while being shrunken and with several guards shooting at her from behind a barred gate. The thread reappears as several screens flash in quick succession to transition into a view of Jolyne's cell, in which she is seen arguing with her cellmate as the camera rotates around her. The view then quickly exits the van through the windshield and elevates itself to show a bird's-eye view of Green Dolphin Street Prison as the series title appears. The view then quickly enters the van, following the thread and shows Jolyne Cujoh and Ermes Costello sitting inside with a number of anonymous prisoners and guards. The opening starts on a tracking shot of a white line on a road until the camera tilts upward to reveal that it is a thread coming out of the back of an armored van.
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